MP3: Mikey Dollaz – “Go Get Em” (prod. by Glacci)

The Chicago West-Sider Teams with Acclaimed Nottingham Producer to “Send Trap To The Mosh Pit” – FADER


Critical Praise:

The waviest shit I’ve heard all year.” – MTV

“There’s something in the water in Chicago. The energy that a lot of their artists come with can be infectious (Chance the Rapper), grimy (L.E.P. Bogus Boys-R.I.P.), or in your face raw. Mikey Dollaz can be seen as the new ambassador for the last variety.” – Mass Appeal

Mikey Dollaz has emerged as one of Chicago’s most promising new talents, especially for his genre-spanning ability.” – HotNewHipHop

Picture Me Rollin’ documents Mikey Dollaz as a major player in the street rap scene”Dummy Mag

“Mikey Dollaz is making some major moves to push the drill sound beyond the confines of the Windy City.”Complex

The Song:

Combining his assaultive drill bars with innovative electronic production, Mikey Dollaz is one of the most unique rappers in Chicago’s music scene. Today, Mikey Dollaz joins forces with buzzing Nottingham, UK producer Glacci for Go Get Em,premiered by The FADER, who called it a “dystopic trap anthem” with a “barely contained chaos of yelps and careening brags, distorted every so slightly for that nicely demonic touch.” Displaying a visceral, intense energy, Mikey Dollaz bars are an unlikely, but effective complement to Glacci’s signature J Dilla-inspired maximalist, dream-like production: “I sign me a deal for a couple of Ks/ I mess up the money you minimum wage.” “Go Get Em” is the latest in a long line of Mikey Dollaz’ collaborations with experimental electronic producers, including multiple collaborations with rising producer SALVA, who connected with Mikey Dollaz for the beat-shifting Waddup/Who Betta” and theArt of Noise-sampling, King Louie-featuring Forever Be Dat Guy.”

In June, Mikey Dollaz released his Good Music Gone Bad mixtape, flexing an aggressive and percussive, yet nimble flow over production by Chicago producer Saint the Good Boy. On Good Music Gone Bad, Saint and Mikey Dollaz make hard-hitting, menacing street music for the block and the club. Prior to the release of Good Music Gone Bad, Mikey Dollaz shared a video for the sinister Street Symphony featuring GuGu, I.L. Will and JB Bin Laden, as well as a visual for the shimmering synth slow-burner Any Given Sunday, a short clip directed by DaDaCreative which artfully details a day in the life on the West Side of Chicago for Mikey Dollaz. The Chicago heavy hitter dropped his Commasvisual last month, which MTV called “the waviest shit I’ve heard all year” while naming his Picture Me Rollin project one of 2016’s most underappreciated albums so far. A versatile lyricist, Mikey Dollaz has worked with an impressive range of genre-bending producers including SALVA, Zora Jones, Sonny Digital, and Obey City to create trap ballads and electronic-influenced bangers alike. “My sound really isn’t inspired by any place or person,” Mikey Dollaz explains. “But drugs play a big role in how my music sounds. You can tell how high I am off the energy of my music. When I first started rapping I always recorded on drugs, so that’s what I was kind of used to and stuck on.”

Listen to “Go Get Em”:

Check out FADER’s Premiere:

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Please contact Michelle or Dharmic for more info.

Mikey Dollaz Background:

To watch Chicago’s Mikey Dollaz is to see an artist’s vision coming into focus in real time. In less than three short years, he’s grown from a competent drill rapper to a versatile lyricist. He sometimes picks themes for entire projects to keep himself on mission: the titles of Sex Music, Music on Drugz and the three Street Life tapes speak for themselves. He literally has more talent than he knows what to do with. In 2016, Mikey Dollaz finds himself established and ready to make a statement as an artist. Done workshopping his flows and test-driving various styles, he’s ready to break out of the midwest and reach for national acclaim with a proper album. Only a couple of years into his career, it’s clear Mikey is yet to reach the limit of his potential.

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“Go Get Em”:

“Dope God” ft. ASA (prod. by SALVA):

“Chupa” (prod. by Sega Bodega):

“War Time” ft. King Louie (prod. by Zora Jones):


“Hot 16”:

Good Music Gone Bad


“Biggie N Diddy”:

“Waddup/Who Betta” (prod. by SALVA):

“Forever Be Dat Guy” (ft. King Louie; Prod. by SALVA): //

Picture Me Rollin’

“Good As It Gets” (ft. I.L Will; Prod. by Sonny Digital):

“Hot Boy” (Prod. by Obey City):